Nur Jahan-Twentieth wife of Jahangir and her role in Moghul Court






Table of Contents

1-   Background
2-    Women and Jahangir Court
3-    Nur Jahan beyond her Romance life
4-     Elite women Culture
5-   Conclusion






Background
Tuzuk-i-Jahangiri is the autobiography of Jahangir and it is one of the primary sources to know the history during his reign. It reflects the royal ideology and the emperor’s view on various political, religious, and social structures. It has been seen as a subjective and objective source for the period on the basis of a historiographical viewpoint. The original book is recorded in Persian and Arabic language and later European and Indian historians translated it. Many historians believed that no original version of the illustrated Tuzuk-i-Jahangiri has survived. On the same hand, it is still questionable to know the authenticity due to the incomplete version during the lifetime of the monarch.
We have to acknowledge the contribution of Mr. Rogers and Mr. Beveridge for a valuable contribution to the history of the Mughal Empire in India. They have translated Tuzuk-i-Jahangiri narrated mere historical facts.  He ruled for 22 years and left plenty of contributions to the Mughal court. He was fond of Art, Poetry, and Calligraphy, but his ill health and sorrow made him give up the writing of his memoir in the 17th century of his reign. The first 12 years of his reign were written by himself and later Rogers and Beveridge’s compiled under the name of Volume 1 and the Second Volume deals with the Muhammad Khan and Muhammad Hadi.  He adopted the policy of spiritual kingship and legitimize his authority to proclaim the superiority of his status over his subjects. As the tradition of early rulers and Muhammadans kings to record the history of chronicles and autobiographies and left the importance of common masses. He adopted the same tradition to write his memoir and mentioned his own version of history. His memoir brings out a coherent and original political voice, in which he skillfully connects his identities of the sovereign, naturalists, and collectors.[1]
He always looking to medieval authors to take advice about literature and bestowed them with Gold and other precious items. He was a keen interest in hunting and discuss animal stories to show moral and political fables.[2] In his memoir, he sprinkles his text with poetic quotations from classical Persian authors such as Hafiz, Firdausi, and Nizami. His court language is Persian, Turkish, Hindustani, and Kashmiri and he sprinkles these words in his memoir. He had the sense not to confine his narrative to an account of himself. Thus he gives us a picture of his father, the great Akbar, Grand Grandfather Babur. Though his account himself has also its charm, for it reveals the real man.[3]
Though he was inclined to the Sufi version of Islam and believed that sovereignty belonged to God. He handled his subjects equally and did not grant any special and biased powers to Muslims, nor did he burden the Hindus with special taxes. He himself married to Hindu princess and banned the forceful marriages happening in Kashmir between Hindus and Muslim girls. His tension started with the fifth Sikh Guru for a very long time. He executed Guru Arjan Dev on the basis of political grounds and thus convinced people to know the real face of Jahangir about Hindus and Sikhs. On one occasion he ordered the removal of a Varaha Statue while visiting a Hindu temple. Such political incidents show his dislike of other religions. When he came in power he banned his father’s Din-e-Ilahi to get popularity among Muslims. Because in Mughal Court majority of nobles were Muslim and he got support from them. He invited Christians to know the theological stance about polygamy and monogamy. Once he knew that this religion also daunts polygamy and monogamy he himself sided from this religion. He only allowed the British traders to conduct trade in his territory. However, Nur Jahan was holding ships and had trade relations with Europeans. [4] 
Jahangir had a total of 20 wives, including his favorite wife and consort, Nur Jahan. During his reign, the role of women was considered very powerful at the court. They had a great influence on him and thereby had a direct influence on the affairs of the state. They were actively involved in political and military affairs and even they held independent courts whenever required. He was very fond of Art and gave great importance to painting. In his court, many portraits of himself were hanged and held Art sessions to know the philosophical dimensions of it. During his reign, many Mughal paintings flourished and carefully preserved his father’s paintings. His court was always open for the Artists and poets and provide financial and security assistance to them. Almost his 74 special collections of paintings still in the British Museum in London.
Women and Jahangir Court
India is a male-dominated society in each and every aspect of the life cycle and it is encouraged and fostered patriarchy in numerous ways? However, the patriarchal system was enjoyed by almost all Mughal rulers. The essence was embedded through a radical interpretation of the religious manuscript. But the fact was that women are central to the presentation of men. The cultural values and mores intact women into the walls of the house and related her closeness to their masculinity and insecurity over her. The consciousness regarding the gender imbalance and subversion of women at large has been a recent one, a product of the modern period. In the past human history, the male had been seen as superior and dominated over all aspects of collective and family life and it was not challenged. Such traditions were the same is in the medieval period where she was living in Harem (Zanana). She was considered to be weak and unable to sustain the rule. She was completely banished from political participation. [5]
During the reign of Jahangir, intelligent and accomplished women tried to influence political decision-making from behind the veil. The introduction of Islam in India changed the political and social structure in many ways. But it is quite difficult to argue that in which capacity she enjoyed the freedom. On the one hand, Islam imposed the veiling of women while on the other it allowed women to participate in political activities. For instance in medieval times- the case of Raziya Sultana and Nur Jahan, Maham Anga, etc. Other than these women we do not see such open participation of women in the Mughal Court.[6]
However, Islamic political pundits giving credit to Islam for women's participation in political activity. Before Islam, there was no example to justify their argument. Only elite women were the main concentration of Mughal emperors. Even though, they had three important pillars which facilitated to endure a Mughal ruler-such as Military, Treasury, and Women. In the memoir of Jahangir, he mentioned many women's names and related her role and social status in the court. But we could not find a detailed account of their role in the court. Almost all women were his wives, aunts, daughters, and famous court dancers. He did not mention anything other than these women. Sultana-n-nisa begum was his one of the wives and she was the sister of Raja Man Singh. He married her for political motives. He only mentioned their name and referred to them as a court woman and his relation with her. However, the women members of the emperor family were living in the Harem. In his memoir, he frequently discussed the Harem as an institution. In fact, it was the most secure place in the Mughal Court. The term Harem is derived from Arabic Harem which means sacred or forbidden. This institution was guarded by eunuchs and no one is allowed to enter the Harem. All women including his various wives, mothers, stepmothers, foster mothers, sisters, foster sisters, and daughter and, cousins were living at the Harem. Several second lines of relatives also resided here. Jahangir was famous for his generosity to provide shelter to needy women. As one of the wives, Nur Jahan also took refuge in his Court.[7]
Many European travelers and historians depicted the accounts of Harem who were much engrossed by fantasy and rumors. Even in the Tuzuk-i-Jahangiri, he mentioned a story of a woman who maintained explicit relation with a man with the help of a eunuch guard. Later he found them and punished both eunuch and harem women.  In medieval history, we have only one source to contain detailed information about the Harem is Gulbadan Begum’s Humayun Namah. The Harem administrations and security were ensured by the emperor himself. The staff too consisted of only women. The Harem was divided into three categories; high, middle, and lower strata.
However, the official post of Daroga (in charge of women) was given to Nur Jahan’s mother Asmat Banu Begum for some time. Jahangir always praised her efficiency to keep the Harem in order. He married to Rajput Princess named Jodha Bai, and he says that these marriages helped them to subjugate the opponents and build a court image in the continent. During his reign, every festival and ceremony was held in his court, during the Novroz festival he saw Nur Jahan and married her. After becoming his wife, her intelligence convinced him, and spent his remaining life with her. She was one of the women who ruled behind the veil. In his memoir, he mentioned plenty of good things about her and her contribution to conquering northern India.
Moreover, his memoir shows that only elite women have the right to participate and learn skills. In his whole memoir, we could not find any lower castes' accounts to justify the meaning of diversity. The elite women were allowed to trade and learn art and calligraphy. The women received religious and non-religious education. Several of them made important literary contributions such as Gulbadan Begum. Hamida Banu Begum also wrote some books and collected manuscripts. His granddaughter Jahanara wrote on mysticism and spirituality and the biography of Muin ud-din Chishti.
Each woman had a stipend and salary for personal expenses. Few of them owning ships and holding agricultural land. The income obtained from various sources was not wasted by these women. In fact, it was put to use for noble causes like building public constructions and patronizing artisans. They were known for charity and philanthropic activities. Nur Jahan made three tombs, traveler lounges, and several gardens in Lahore and Agra. She was exceptionally generous. She also regularly financed marriages of young women and also supported orphans. Her mother also contributed to the invention of rose attar or perfume.[8]

Nur Jahan beyond her romance life
Nur Jahan was born as a Mehr-un-Nissa and now we remembered her as a Nur-Jahan (light of the world). She was born in 1577 near Kandahar and later came to India. Her father was an aristocrat and noble who were served, Akbar. She was first married to Sher Afghan and when he died she took refuge in Mughal Harem with her mother. In his memoir, he himself narrates a love story between his most loyal wives Nur Jahan. During Nowruz Festival he saw her and offered for marriage. In 1611 they married and became his 20th and final wife. She was a beautiful, intelligent, brave, and great hunter. She holds plenty of skills and courage to know military tactics.
Though she is known for her romantic love story with her husband and people little is known about her bravery, leadership, and powerful ambitions. She was a fascinating woman who came to rule an empire against extraordinary odds.  These qualities and skills took her to the top of the list of one of the most favorite wives of Jahangir.
She had a great sense of innovative architect and poetry. She was famous for her hunting skills and saved a village tormented by a man-eating tiger. She shot it down from her perch on top of an elephant. So far these powerful skills came from her upbringing, the supportive network of men and women, and the special relationship she enjoyed with Jahangir, her ambition, and her land and its people. In the memoir of Jahangir, he mentioned all of his wives but the account of Nur Jahan is quite lengthy and admiring. He admired her services and charity work for poor people. From 1614, his relation with Nur Jahan making strong and she advise him as a co-ruler in different ways. He painted an admiring portrait of her along with Firdausi’s verses. He declared her as a sensitive companion, a superb caregiver, an accomplished adviser, a skilled hunter, a diplomat, and an art lover.
In Tuzuk-i-Jahangiri he mentioned the folktale of his love story and trying to convince the readers to know about the only love story on the earth. He says that when I married Nur Jahan my spiritual journey enhanced and light came from our bondage and I was cured. We may criticize his historical exaggeration to give great importance to her.
However, her political correctness and participation in court proven the diplomatic capabilities of her during Jahangir's reign. She was the only woman who had the authority to take care of his personal and political activities. She enjoyed enough freedom and conducted empress court to take decisions and granted justice in many ways. She patronized poets, calligraphers and, painters and provided monthly stipends and security to them. In the weak years of Jahangir, many nobles and influential revolt against her power and policies but he refused their demands and maintain the decorum of the court.

Elite women culture in Mughal court
In Medieval India, history was recorded by travelers, poets, and rulers. They discussed the personal and political life of Elite women and men in court. It portrays the beautification and generosity of women and the glorified history of rulers, artisans, travelers, traders. Even though, these expressions and historical experiences can be seen in the architecture of Mughals. Elite women were in the position to play diplomacy to select the heir of the ruler. However, a ruler had many wives and each one is living in the Harem (a separate place to keep women including wives, concubines, war booty), so everyone was involved in the politics to lead the Harem.  
Harem was completely isolated to not access by any men. Jahangir hired transgender to protect the Harem. Women of Harem had the privilege to equip skills and contribute accordingly. Jahangir appointed painters and Calligraphers to improvise the skills of Princess in the painting and music.  Only elite women have had the right to equip such skills including daughters of high officials, courtesans, and concubines. Even the elite women were completely dependent on their husbands and male relatives. The elite women have far excess to participate in trade and hold their business ventures. During the reign of Jahangir, Nur Jahan had business linkages with European traders and also elite women have had the excess to sell and purchase jewelers and ornaments in the premises of the court. They also engaged in farming and weaving. Nur Jahan’s mother was a perfume (attar) producer and Jahangir admired her sense of fragrances. So the full liberation of women was not noticed in the court of Mughal and especially in Jahangir.
Moreover, many social evils like female infanticide, child marriages, Sati, and purdah system have existed in the Jahangir court. Polygamy was one of the famous and unchallenged practices in the Mughal court. Albeit, women came to be regarded as instruments of sensual satisfaction.
On the contrary, the ordinary women were completely abandoned in history and so far her life and history are gauges in respect of elite women in Mughal court. Ordinary women were supposed to entertain kings, nobles, and even the members of the upper classes. The lower-class women were affected due to the prevalent rituals of Sati, Jauhar, and child marriages. They were not protected even in their houses.
Indian society has perceived females from the point of view of sex. Such a mentality and similar culture had seen in the time of Muslim Medieval rulers. Though male and female co-exist in this society and contribute equally in all respect of life. In the memoir, the gender imbalances and differences are vital and we can be labeled as the patriarchal historical account of the ruler. In the second Sex De Beauvoir says:
Thus humanity is male and man defines woman not in herself but as relative to him: she is not regarded as an autonomous being. The body of man makes sense in itself quite apart from that of woman, whereas the latter seems to wait in significance by itself… Man can think of himself without a woman. She cannot think of herself without a man. And she is simply what man decrees: thus she is called the ‘the sex’, by which is meant that she appears essentially to the male as a sexual being. For him, she is sex – absolute sex, no less. She is defined and differentiated with reference to man and not he with reference to her, she is the incidental, the inessential as opposed to the essential. He is the Subject, he is the Absolute- She is the Other.[9]
If we take the concept of ‘Other’ to the intention that only the male has the right to live freely in the Mughal society. They considered women as their supporters and treat them as secondary gender. On the same hand, the practice of Sati justifies the above argument that during medieval time female was neglected gender and considered her secondary. The concept of Sati was quite horrible; if a husband dies, society believes that now women have no role to stay alive. She goes with her husband to the funeral pyre. It was an accepted system and women were victimized on the basis of rootless rituals for the love of their husbands.
Such cultures affected our society and we have the same rituals even in the twentieth-first century. Even in Pakistan, the elite women enjoy their freedom but the lower class women still living under the burden of male-dominated structures.

Conclusion
The accounts of Jahangir are full of his own political and personal adventures. He narrated stories on the basis of his conquests and travel. He was quite familiar with the animal kingdom and mentioned many animals and his hunting skills. He had mentioned many women names in his memoir and relate them with his personal and political motives. In his memoir, he reflects his state ideology and how far he was inclined to the spiritual life. The role of women in his court was nominal in the early days of his political rule. Once he married Nur Jahan he consolidated her power and ruled as a co-ruler. He mentioned minute details of his military expeditions and also he discussed animals and birds. Many believed that he was well versed and know the animal kingdom in detail. However, he neglected the role of ordinary women in a harem and he only discussed those women who were relative or had blue blood. During his reign, his memoir is one of the primary resources to know the political, economic, and social, and religious structure of the whole society.
List of women mentioned in Tuzuk-i-Jahangiri
1-      Sultana-n-nisa Begum D/o Raja man Singh   Page # 15
2-      Bihar Banu Begum D/o Jahangir      Page # 19
3-      Jagat Gosa D/o Mota Raja                Page # 20
4-      Zamana Beg                                       Page # 24
5-      Shahzada Khanum                           Page # 34
6-     -Shakaru-n-nisa Begum foster mother of Jahangir Page # 36
7-     -Bibi Daulat Shad sister of Jahangir Page # 36
8-    - Aram Banu Begum                           Page # 37
9-   - Ruqaya Sultan Begum D/o Hindal Mirza Page # 45
10-  Shah Begum                                      Page # 57
11-  Shahr banu begum D/o Mirza Abu Said Page # 106
12-  Javish Begum                                    Page # 130
13-  Nijibu-n-nisa Begum Aunt of Jahangir Page # 149
14-  Ram Chand Bandilab                       Page # 160
15-  Salima Sultan Begum                        Page # 230
16-  Gul Rukh Begum                              Page # 232
17-  Nur Jahan Begum                             Page # 277
18-  Saliha Begum                                     Page # 286











References and Sources
Corinne Lefevre, “ Recovering a Missing Voice from Mughal India: The Imperial Discourse of Jahangir (r. 1605-1627) in His Memoirs”, Journal of the Economic and Social History of the Orient, vol.50, part 4, Leiden, The Netherlands, 2007, p. 453

De Beauvoir, Simone. Introduction. The Second Sex. Trans. and ed. H. M. Parshley. London: Picador, 1988. 13 – 29.
Lal, Ruby, Empress: The Astonishing Reign of Nur Jahan, London: 2018, W. W. Norton & Company, 
Sajita S. Alvi, “Religion and State during the Reign of Mughal Emperor Jahangir (1605-1627): Non-Juristical Perspectives, Studied Islamic, no. 69, pp. 95-119, Maisonneuve & Larose, 1989, p. 115.

Tuzuk-i- Jahangiri, or the Memoirs of Jahangir, trans. Alexander Rogers, ed., Henry Beveridge, Vol, I, rpt. Munshiram Manoharlal, Publication, New Delhi, 1968






[1] Corinne Lefevre, “ Recovering a Missing Voice from Mughal India: The Imperial Discourse of Jahangir (r. 1605-1627) in His Memoirs”, Journal of the Economic and Social History of the Orient, vol.50, part 4, Leiden, The Netherlands, 2007, p. 453
[2] Ibid., pp. 464,465
[3]  Sajita S. Alvi, “Religion and State during the Reign of Mughal Emperor Jahangir (1605-1627): Non Juristical Perspectives, Studied Islamic, no. 69, pp. 95-119, Maisonneuve & Larose, 1989, p. 115.
[4] Tuzuk-i- Jahangiri, or the Memoirs of Jahangir, trans. Alexander Rogers, ed., Henry Beveridge, Vol, I, rpt. Munshiram Manoharlal, Publication, New Delhi, 1968
[5] Tuzuk-i- Jahangiri, or the Memoirs of Jahangir, Trans [1]. Alexander Rogers, ed., Henry Beveridge, Vol, I, rpt. Munshiram Manoharlal, Publication, New Delhi, 1968
[6] Ibid
[7] Tuzuk-i- Jahangiri, or the Memoirs of Jahangir, trans[1]. Alexander Rogers, ed., Henry Beveridge, Vol, II, rpt. Munshiram Manoharlal, Publication, New Delhi, 1968
[8] Tuzuk-i- Jahangiri, or the Memoirs of Jahangir, trans[1]. Alexander Rogers, ed., Henry Beveridge, Vol, II, rpt. Munshiram Manoharlal, Publication, New Delhi, 1968
[9] De Beauvoir, Simone. Introduction. The Second Sex. Trans. and ed. H. M. Parshley. London: Picador, 1988. 13 – 29.

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